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The White Raven
(1917) United States of America
B&W : Five reels
Directed by George D. Baker
Cast: Ethel Barrymore [Nan Baldwin], William B. Davidson [‘The Stranger’], Walter Hitchcock [John Blaisdell], George A. Wright [Arthur Smithson], Viola A. Fortescue [Mrs. Smithson], Herbert Pattee [‘Bill’ Baldwin], Mario Majeroni [the opera impresario], Phil Sanford [the dance hall proprietor], Ethel Dayton [Sylvia Blaisdell], Ned Finlay (Ned Finley) [the miner], Richard Thornton [Mr. Van Brunt], Claire McDowell [Daisy]
Rolfe Photoplays, Incorporated, production; distributed by Metro Pictures Corporation. / Scenario by George D. Baker, from a screen story by Charles A. Logue. Cinematography by Arthur Martinelli [?] and Beekman Mitchell? [?] Still photography by Beekman Mitchell? / © 16 January 1917 by B.A. Rolfe Photoplays, Incorporated (Rolfe Photoplays, Incorporated) [LP9995]. Released [?] 14 or 15? January 1917. / Standard 35mm spherical 1.33:1 format.
Drama.
Synopsis: [?] [From The Moving Picture World]? William Baldwin, ruined in business by his partner John Blaisdell, implores Blaisdell’s aid and receives in answer a five-dollar bill inscribed with “Spend this for a gun and use it on herself.” Hopelessly, Baldwin and his daughter Nan go to the Yujon, where the father dies and Nan earns a living in a rough dance hall where as “Nightingale Nan” she is the miners’ idol. When she discovers that the little claim on Bear Creek, the only thing her father has left her, is worthless, at first she collapses; then she becomes defiant and tells the miners who have been forcing their attentions upon her that they may have her, the lucky man to be the winner in a card-game, she to take the money won in the game and go away to seek fame and fortune. A bearded stranger wins the game with a pair of deuces and pays her $1,000 a card, and she leaves with him for her cabin. Once there, however, she repents her rash bargain, and implores him to release her, offering the money in return. He makes her sign an I.O.U. for herself, promising to pay the debt at any future time that he sees fit. “You’ll win success,” the stranger tells her, “but in the hour of your greatest triumph I shall claim you, and you must return.” She leaves on this condition. Nan’s voice wins success for her all over the world. Five years later, as Mlle. Nanon Boldini, she is the reigning operatic queen at La Scala, Milan, then comes to the Metropolitan Opera House, New York, to make her American debut in “Lucia di Lammermoor.” Her success is instantaneous. Two of the most important patrons of the opera house, business rivals John Blaisdell and James Van Brunt, are united in their admiration of Mlle. Boldini, and obtain an introduction. When Nan discovers the identity of Blaisdell, the man who ruined her father, she quietly plans his downfall. She encourages his attention, even at the risk of displeasing a young stranger with whom she has fallen in love. She refuses an offer of marriage from the man who won her heart, telling him of her promise made under amazing conditions to a man in Alaska five years ago. That promise, she tells him, must be fulfilled, no matter how great the sacrifice she makes in doing so. Inviting Blaisdell to her apartment to dinner, she has a telephone connection so arranged that James Van Brunt, at his downtown office with the receiver at his ear, hears Blaisdell’s answers to the carefully prepared questions Nan asks, betraying all his business secrets. As Blaisdell falls across the table in a drunken stupor, after having told everything, Nan’s triumph is complete. It is at this moment that two fateful cards, the deuces with which the Alaskan won his game, are thrust under the door, and Nan falls fainting. The next day she prepares for her journey to the Northland, ready to pay the price of her five years’ freedom. The man she loves insists on accompanying her. Going to her little cabin, she finds it sumptuously furnished. As she turns to her lover in surprise, he places on the table a crumpled “I.O.U.” then tears it in two, giving her the pieces. As the realization slowly dawns on Nan that the man she has learned to love is the bearded stranger of so long ago, she fits the two pieces of the “I.O.U.” back together, presents them to him, and creeps into the arms of her stranger-lover.
Survival status: The film is presumed lost.
Current rights holder: Public domain [USA].
Listing updated: 21 December 2024.
References: Website-AFI; Website-IMDb.
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