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Jim Bludso
(1917) United States of America
B&W : Five reels
Directed by Tod Browning and Wilfred Lucas
Cast: Wilfred Lucas [Jim Bludso], Olga Grey [Gabrielle Bludso], George Stone [‘Little Breeches’], Charles Lee [Tom Taggart], Winifred Westover [Kate Taggart], Sam de Grasse [Ben Merrill], James O’Shea [Banty Tim], Monte Blue [Joe Bowers], Al Joy [a gambler], Lillian Langdon, Baby Spofford, Hal Wilson, Bert Woodruff
The Fine Arts Film Company production; distributed by Triangle Distributing Corporation. / Scenario by Tod Browning, from the poems “Jim Bludso of the Prairie Belle” and “Little Breeches” by John Hay, and the play adaptation Jim Bludso of the Prairie Belle by I.N. Morris. Cinematography by A.G. Gosden (Alfred G. Gosden). / Released 4 February 1917. / Standard 35mm spherical 1.33:1 format. / Browning’s first feature film as director; Lucas’ directing credit may have been a contractual fulfillment and may not reflect any actual film direction. Some location photography was taken near San Francisco, at Rio Vista, and near Los Angeles, California.
Drama: Historical.
Synopsis: [?] [From The Moving Picture World]? Jim Bludso is engineer of the Mississippi River packet the “Prairie Belle.” He has a home in Gilgal, Ill., and a wife and twelve-month-old baby at the time the story opens, in 1861. A call is received for volunteers and he joins the Northern army. His wife is a Southern girl, and she opposes his joining the Union forces. The quarrel results in a separation and Jim goes to war. Ben Merrill, an unscrupulous contractor, meets Jim’s wife in Natchez, her home town, and induces her to go with him to New Orleans. She deserts her baby and goes. In New Orleans a levee contractor comes to Merrill with the proposition that they take the contract for a new levee to be built at Gilgal. Merrill accepts and leaves New Orleans without telling the woman where he is going, and she is left to take care of herself. After the war Jim returns to Natchez and finds that his wife has deserted their little boy, and no one knows where she is. He takes the boy, Little Breeches, and Banty Tim, a negro, who has saved his life during the war, and returns to Gilgal. He is welcomed by Kate Taggart, the daughter of the village storekeeper. Jim’s wife yearns for her baby and returns. Jim forgives her for the child’s sake. The high waters are coming on and Merrill is afraid that the levee will not hold. He plans to lay the blame on Jim and the negro. He arouses the suspicion of the townspeople against the negro and Jim is forced to fight for Banty Tim on several occasions. Merrill meets Jim’s wife and induces her to loosen the sandbags and leave the water into the village. She escapes in a boat, the bottom of which has been cut by Merrill. In the middle of the stream the boat begins to sink and Banty Tim goes to her rescue. The negro is accused of breaking the levee and then escaping. Jim offers his life as a forfeit if the negro does not return by sunrise. The next day the village people are at Indian Mound, and the men are about to hang Jim because Banty Tim has not come back. Just then he comes on with Little Breeches, who tells of his rescue by the negro. A year later Jim is again engineer of the “Prairie Belle.” In a race with another boat the engines become overheated. Merrill is aboard and Jim has him locked in the oil room. When the boat takes fire Jim goes and opens the door of the oil room and finds his son there with Merrill. While they are trying to escape the boilers explode. Jim is rescued from the debris by Banty Tim. Some time later Jim’s wife having died, he and Little Breeches and Kate and Banty Tim are united in a happy family.
Reviews: [Motion Picture News, 10 February 1917, page ?] With many thrills and a plot of the heart interest variety, “Jim Bludso,” a picture based on the poem by John Hay, makes an excellent release . . . . The production given it by Tod Browning is quite without the bounds of averse criticism . . . . // [Variety, 2 February 1917, page ?] The screen retains the Mississippi River scenes and for a climax brings forward the episode of the race, the fire, and the heroism of the engineer who held the boat’s nose against the bank “Till the last galoot’s ashore.”
Survival status: The film is presumed lost.
Current rights holder: Public domain [USA].
Keywords: Gamblers - Riverboats - USA: California: Los Angeles, Sacramento River, San Francisco
Listing updated: 19 December 2024.
References: Skal-Browning pp. 269-270 : Website-AFI; Website-IMDb : with additional information provided by Dave Lewis.
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